1. Submit Your Design
Share your logo, artwork, drawing, sample photo or reference file with us. If the file is not final yet, you can still share the idea and application direction.

FACTORY-DIRECT CUSTOM HARDWARE
Send us a drawing, a sample, or even a rough logo file. We’ll tell you whether it can be made in zinc alloy, what needs adjusting, and which fixing method makes sense — before sampling. We make logo plates, zipper pullers, buttons, badges and metal trims for garment, bag and shoe brands.
Select the product type that best fits your apparel, bag, footwear, or leather goods project. We can then check your artwork, dimensions, surface finish, mounting method, and production details.

Custom brand plates for garments, bags, footwear, and leather goods. Available in custom dimensions, mounting methods, surface finishes, and logo processes such as laser engraving, 3D embossing, and enamel filling.
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Decorative emblems and small brand hardware for apparel, bags, footwear, and accessory projects.
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Custom zipper pullers and pull tabs for bags, garments, luggage, and footwear lines.
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Decorative and functional fittings for handbags, luggage, straps, and leather goods.
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Metal trims, logo pieces, buckles, and decorative fittings for footwear projects.
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Custom snap fasteners for garments, denim, bags, and leather goods, with cap style, internal structure, and surface finish customized to your project.
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Buckle hardware for belts, straps, bags, and footwear, precision-tailored to required inner opening dimensions, structure, and finish.
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Custom trims and metal ornaments for garments, bags, shoes, and fashion accessory projects.
View CategoryShare your logo, artwork, drawing, sample photo or reference file with us. If the file is not final yet, you can still share the idea and application direction.
We check the size, structure, finish, mounting method, application and estimated quantity before preparing a project-based quotation.
For custom zinc alloy projects that require new structure or logo detail, we evaluate mold feasibility before sampling.
Depending on the product, the project may involve die casting, forming, polishing, sandblasting, plating or assembly.
Finish directions such as plating, antique finish, enamel filling, lacquer filling, spray painting or electrophoresis are matched to each product.
We discuss packing and shipping arrangements based on product structure, quantity and your requirements.
A metal logo plate looks simple from the front. Most of the problems show up on the back — and that’s where a direct manufacturer earns its place.
We're in Shishi, Fujian, surrounded by the garment, bag and shoe supply chain. We make the hardware here — we don't broker it — so the answers come from the floor, not a catalog.
Every quote is built around your part — size, structure, finish, mounting and quantity. No blanket price list, because a logo plate and a zipper puller don't cost the same to tool.
Shape, logo depth, edge thickness, finish, color fill and the fixing on the back — all built from your artwork or sample, not forced into a stock mold.
Before cutting a mold, we flag what usually causes trouble later: thin logo lines, weak fixing points, an unclear finish reference, a back that won't match the final product. Catch it now, not on the first sample.
Plating tone, antique effects, enamel or lacquer fill, backing plate and fixing method — checked against where the part actually sits, whether that's leather, canvas or a garment.
Need nickel-free or salt-spray testing for a specific market? We arrange it by project. If you don't need it, we won't pad the quote with it.
The four that come up on almost every project — answered the way we’d answer them on a call.
Usually yes — but fine detail is where it's decided. A 0.3 mm hairline or 2 mm text often breaks up or fills in once it's cast, so we'd thicken it before the mold. Send the artwork and we'll tell you what holds and what needs adjusting.
Depends on what it mounts to. On 3 mm leather, short rivets won't pass through — so we set the rivet length and spacing to your panel, not the other way around. Tell us the material and thickness and we'll match the back to it.
Often, yes. We run antique brass, antique silver, gunmetal, light gold, rose gold, matte black, brushed silver, nickel tone and color-filled effects. Plating tone shifts a little with the metal and the relief, so for a critical color we'd have you approve a finish sample before bulk. Send a reference and we'll tell you what's realistic on your part.
Artwork, the target size, a finish reference, how it mounts and a rough quantity. Even a phone photo of a sample helps. The clearer the starting point, the closer the first quote — and the fewer sampling rounds it takes to land the part you want.
The same few priorities come up again and again with buyers: sample-to-bulk consistency, finish tone, catching structural issues early, and clear replies. These are the things we check before a project moves forward.
The point buyers raise most is consistency: the plating tone, weight and logo depth on a full run should look and feel like the sample they signed off, not just the first few pieces.
On a small metal part, color tone and surface feel carry the brand. Buyers care about even plating, clean edges and a finish that holds up after handling and wear.
Most rework traces back to details skipped early — backside structure, mounting method, line thickness. Buyers value being asked the awkward questions before tooling starts, not after.
Buyers come back when answers are specific and on time: what is feasible, what needs a sample, what the next step is — instead of a generic 'no problem'.
Recurring themes we hear from buyers during sampling and production. Specifics are kept anonymous.
Start Your Custom Project
A clean vector is great, but a sketch, a sample photo or a logo screenshot is enough to start. We’ll tell you whether it works in zinc alloy, what to adjust, and which fixing method fits — before sampling.