
Metal Logo Plates
Custom Gold-Tone Heart Hang Tag with Blue Color Fill and Geometric Cutout
Heart-shaped zinc alloy hang tag with a gold-tone frame, blue color-filled face and lower geometric cutout. The cutout and color...

Custom Metal Logo Plates
The front carries your brand; the back decides whether it fits. Send us your logo and where it goes — we’ll tell you what casts cleanly, how deep the relief should be, and which fixing suits your material, before sampling.
Real plates we’ve produced — different shapes, finishes, logo depths and fixings. Use them to point at what’s close to your idea, then send your own logo.

Metal Logo Plates
Heart-shaped zinc alloy hang tag with a gold-tone frame, blue color-filled face and lower geometric cutout. The cutout and color...

Metal Logo Plates
Blank round medallion hang tag, mirror-polished in silver with a softly domed edge and integral top loop. A flexible starting poi...

Metal Logo Plates
Thick bar-shaped logo plate in bead-blasted matte silver with raised polished lettering and no visible fixing on the front face....

Metal Logo Plates
Crescent-shaped hang tag in polished gunmetal, cast in one piece with its own hanging loop and a full domed profile. The same con...

Metal Logo Plates
Factory-direct custom zinc alloy logo plate, white-plated rectangular with four holes, for bags, leather goods and garments.

Metal Logo Plates
Custom oval zinc alloy logo tag with a tumbled matte silver finish, two mounting holes and logo detail produced from buyer artwor...

Metal Logo Plates
Factory-direct custom zinc alloy cursive script letter logo plate in gold and silver, decorative branding for handbags and garments.

Metal Logo Plates
Factory-direct custom zinc alloy logo plate, silver round monogram script cutout, decorative branding for bags, blazers and leath...
Custom Solution Guides
A logo plate has to work on three fronts at once: the logo has to cast clean, the finish has to suit the metal, and the back has to fit what it mounts to. Miss one and it shows on the first sample.
Read our guide on preparing artwork for custom metal logo plates.Garments, bags, shoes, leather goods and packaging — anywhere the brand mark has to read in metal, not print.
Fine hairlines and small text tend to break up or fill in once cast — so we flag the detail that won't hold and thicken it before the mold.
Prongs, pins, rivets, sew-on holes or a backing plate — set to your material and thickness. On 3 mm leather, short rivets won't pass through, so the back is built to the panel.
Antique brass and silver, gunmetal, plated golds, matte black, brushed and color fills — the right finish depends on the metal and how deep the relief runs.
Size, logo, finish and the back all pull on each other — change one and the others move. Here’s what we settle together before any steel is cut.
Zinc alloy casts fine detail and plates well. We set the grade and thickness to the part's size, weight and where it sits.
Cut to your artwork and the space it sits in — with edges eased so the plate doesn't snag fabric or skin.
Plating tone shifts a little with the metal and the relief. For a critical color, approve a finish sample before bulk.
Mark what's raised and what's recessed. Relief around 0.2-0.5 mm keeps most logos readable; we'll flag detail too fine to hold.
The back is set to what it mounts to. Tell us the material and thickness and we size the fixing to fit.
Even walls cast more predictably; thin spots get reinforced. Nickel-free or salt-spray testing is arranged by project or market need — not added unless you need it.
The clearer the starting point, the closer the first quote — and the fewer sampling rounds it takes. Even a phone photo of a sample helps.
Request Custom QuoteStraight answers on artwork, finish, mounting and testing — the way we’d give them on a call.
Yes — vector is ideal, but a JPG, a screenshot or a photo of a sample is enough to start. If it's not production-ready, our in-house designers rebuild it into a clean vector before the mold. We're in the Jinjiang–Shishi garment-hardware cluster, with designers on staff. Artwork checks, vector rebuilds and finish references are handled here — not sent out. We'll tell you what needs adjusting first.
Logo artwork, the target size, a finish reference, how it mounts and what it mounts to, and a rough quantity. A sample photo helps. The more we have, the closer the first quote.
We run antique brass, antique silver, gunmetal, light gold, rose gold, matte black, brushed silver, nickel tone and color-filled effects. Plating tone shifts with the metal and the relief, so for a critical color we'd have you approve a finish sample before bulk.
Yes — bags, garments, footwear, leather goods and packaging. What changes between them is the back: the fixing and structure are set to the material and thickness it mounts to, not the other way around.
Yes — nickel-free, salt-spray or other testing is arranged by project or market need. Tell us the target market and test item up front. If a project doesn't need it, we won't add it to the quote.
It depends on the part — size, structure, finish and whether it needs its own mold all move it. Rather than quote a number that won't fit your project, we set it once we've seen the details. Send them and we'll tell you straight.
Metal Logo Plate Inquiry
Send your logo and where it goes — even a rough file. We’ll tell you what casts cleanly, what to adjust, which finish is realistic, and how the back should fix on, before sampling.